Barbara Stauffacher Solomon

Multi-disciplinary artist Barbara Stauffacher Solomon (b. 1928) is best known for her bold wall-painted Supergraphics of the 1960s and is widely recognized for her outsize influence on the trajectory of graphic design. An originator of California Cool, her unique visual sensibility combined with her Swiss design training is exemplified by one of her first jobs – the logo and wall paintings at Sea Ranch, a unique planned community on the California coast north of the Bay Area. Solomon’s signature aesthetic uses black and vermillion line, shape, and sans serif typography at architectural scale and in her inventive works on paper.

The San Francisco-based artist worked as a dancer before studying painting and sculpture. After the death of her husband in 1956, she moved to Basel, Switzerland with her young daughter to study graphic design at The Schule für Gestaltung Basel (Basel School of Design) with acclaimed designer Armin Hofmann. Profoundly influenced by Hofmann’s teachings, she returned to San Francisco and established her own office in 1962, bringing the Swiss Style to California. Now in her 90s, Solomon has begun focusing on paper – namely drawing, collage, and artist books. Solomon’s thematic and sometimes autobiographical books are conceived of as intentional bodies of work. Her collages show her wry sense of humor and affinity for wordplay and graphic invention.

Over the course of her life, Solomon has practiced as a designer, landscape architect, and writer and has taught at Harvard, Yale, San Francisco Art Institute, and the University of California at Berkeley. Solomon has had solo exhibitions at the San Francisco Museum of Modern Art, San Francisco, CA, LAXART, Los Angeles, CA, the Palm Springs Museum of Art, Palm Springs, CA, and the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL.

Available Work

Barbara Stauffacher Solomon

I DO / 2022

Colored pencil, graphite, ink, designer color paint, whiteout, rubber cement, paper

Eighty-five 11h x 8.50w in pages

Barbara Stauffacher Solomon

A New American Flag / 1992

Craft paper, graphite, colored pencil, rubber cement

11h x 8.50w in

Barbara Stauffacher Solomon

And Why Not You? / 2021

Graphite, colored pencil, rubber cement, vinyl letters, vellum, paper

11h x 8.50w in, 14.75h x 12.25w in framed

Barbara Stauffacher Solomon

Portrait of My Mother / 2012

Graphite, colored pencil, rubber cement, vellum, paper

11h x 8.50w in, 14.75h x 12.25w in framed

Barbara Stauffacher Solomon

RU2EZ2C / 2010

Graphite, colored pencil, rubber cement, cellophane tape, vinyl letters, paper

11h x 8.50w in, 14.75h x 12.25w in framed

Barbara Stauffacher Solomon

California as Eve / 1990

Gouache, graphite, cellophane tape, whiteout, colored pencil, vellum, paper

11h x 8.50w in, 14.75h x 12.25w in framed

Barbara Stauffacher Solomon

California at its Best #4 / 1990

Gold leaf, graphite, paper

11h x 8.50w in, 14.75h x 12.25w in framed

Barbara Stauffacher Solomon

Utopia I Go 4’Ya #4, / 2011

Pigment print collage, gouache, ink, graphite, colored pencil, white-out, cellophane tape, rubber cement, paper

11h x 8.50w in, 14.75h x 12.25w in framed

Barbara Stauffacher Solomon

Green Rectangle to Paradise #2 / 1992

Craft paper, graphite, colored pencil, rubber cement

11h x 8.50w in, 14.75h x 12.25w in framed

Barbara Stauffacher Solomon

Utopia Myopia Le Ville Radieuse / 2011

Pigment print collage, gouache, ink, graphite, colored pencil, white-out, cellophane tape, rubber cement, paper

11h x 8.50w in, 14.75h x 12.25w in framed

Exhibitions

Fairs